Dear Cyndy, Thank you for your letter. You get extra credit for having reread my essay. I should have thought once was enough. I'm also appreciative of your kindness in assuming the blame for all that I failed to make intelligible, saying you did not understand, rather than calling it nonsense, which would be apposite, both figuratively and literally. And, yes, I would like to read some of your work, if its not too much trouble to send it to me. I'm appreciative of the sympathy implicit in you comments on my career choice. In retrospect, I'm not unhappy with what I did - or what happened to me. The Harvard philosophy department rebuffed my expressions of interest, they rejected the advances of everyone who was not of the Logical Positivist persuasion. Wouldn't even give philosophy credits for Werner Jaeger's courses on Aristotle. In the context of Nathaniel's wavering between Harvard and Yale, I wonder whether I would have found the Yale philosophy department, which, after all, was host to Ernst Cassirer, more congenial. Perhaps it was already the taste of sour grapes at a young age that convinced me of the essential incompatibility of the kind of work I needed to do and the contemporary academic environment in the US. - And not only contemporary: for an academic outsider, there are seductive role models: Spinoza, Schopenhauer, Nietzsche and especially Kierkegaard. In Damascus, working on my essays, I often thought of the maligned, excommunicated Baruch Spinoza, grinding lenses while persuading himself that God and Substance were, after all, identical. Realistically, I don't think my opportunities in German or Comparative Literature were much better. Just a few days ago, I came across a letter to my parents in which I described my oral examination for senior honors. It was given by a man named Stuart Atkins, an academic bureaucrat who had risen to be chairman of the German Department, because my patron and friend Karl Vietor who so to speak took me under his wings, could not or would not cope with administrative details. Atkins, who was not a native speaker, and however knowledgeable, lacked both the sensitivity and the passion requisite for an inspiring teacher, was intensely jealous of Vietor, and when, at my orals, I dutifully repeated what Vietor had taught me, Atkins snarled at me: "I've heard that before. Don't you have any ideas of your own?" He blocked my getting the Summa which others though I deserved. Years later, for a few minutes, Stuart Atkins was my patient in the Eye and Ear Infirmary emergency room. After I had finished treating his eyes, I reminded him that we had met before, - but he seemed not to remember. Yesterday (Sunday) and today, I was unable to adhere to the discipline which I have set myself. First, there was uncertainty whether Margaret and I should accept the invitation from next door to accompany them to Symphony Hall for the gala performance of the Boston Youth Symphony with all three younger grandchildren in the senior orchestra and Nathaniel starring as first trumpet in Mahler's 5th Symphony. I wasn't enthusiastic because, unlike Nathaniel, I'm not inspired by this music, and because the semi-public nature of the concert audience relationship to the family member performers embarrasses me as a travesty of the bonds to each of them individually which have never developed as I had hoped, and because - shame on me - it didn't seem worth the fifty dollars for the two tickets. In the end it was Margaret's decision that we should stay home. Afterwards she regretted that we hadn't gone. She was somewhat distressed that yesterday we didn't see anything of Klemens or any of the children, and thought we were being punished for not whooping it up with them. This morning Klemens stopped by to say hello. He was in a hurry to catch the bus, so as not to be late for work. He doesn't take the car any more, largely because parking at the hospital is so expensive. He accepted my offer to drive him into town. He told me about the concert. No, our absence caused no offense, and we weren't missed. As a matter of fact our aged and debilitated presences would have detracted somewhat from the youthful glamor of the occasion. Klemens, Laura and Rebekah's seats on the floor were not far from those of Governor and Mrs. Deval Patrick, who are acquaintances of Laura's - Laura knows everyone - social connections are her specialty - and Klemens ironically compared Governor Patrick's reaction to Nathaniel's trumpet playing with George II and the Hallelujah Chorus. I didn't ask for details. Meanwhile - back at the ranch - I was preoccupied with a new malady of our 1997 Dodge minivan which is due for inspection next month. Just a few weeks ago I managed to repair the left turn signal, which had been malfunctioning for over a year, - even after a $200 repair in Chico's Fresh Pond Sunoco Garage. Then a few days ago, I noticed that the on-board diagnostic (OBD ii) warning light "Service Engine Soon" had made its appearance. At the Watertown "Autozone" store, for $60 plus $3 tax, I bought a scanning tool with which I could obtain the OBD error code. It turned out to be 1698, - meaning, so I learned from the Internet, that the OBD is not receiving signals from TCM (transmission control module) and/or BCM (body control module). It's probably a defect in the wiring, which may or may not be easy to identify and correct. I had planned to begin the attempted repair this morning, but by the time I got back from Boston, rain drops had started to appear on the windshield, and since my repair shop is my driveway, I decided to wait for a sunny day later in the week. The absurdity of all this: error code 1698 has nothing to do with pollution control; the car would function perfectly well and the blue skies of Massachusetts would remain unsullied even if "Service Engine Soon" continued to remind me from month to month of the world's imperfections. After all, my colleagues the doctors have been telling me for decades, "Service Body Soon"; I've ignored them and gotten away with it. When the rain drops provided me with an excuse to defer tinkering with the car, I went back to my writing. I began in English, then when the prose got bumpy, I switched to German. I explained to myself that the assignment of ethics to the realm of time and the assignment of esthetics to space might work out after all, if I could persuade myself that the virtue of music as essentially temporal experience was ethical rather than esthetic in nature. What transparent word-mongering! but it has its charms. Let's see: When I sing a song, or when I play (or try to play) my violin or my harpsichord, my action for the next 30 or 60 or 300 seconds is controlled by the musical score more precisely than under any other circumstances, (except perhaps if I were running a race.) During that interval it is the music alone that controls and dominates me, and while I am under its spell, all other ethical considerations, - what should I do, what should I refrain from doing, - lose their meaning. If that isn't the apotheosis of ethics, I don't know what is. I'll leave the chatter about esthetics for another letter, - and then there's money, to think if not to write about. For now, however, let me try to get back to my computer programming. Stay well, and give my best to Ned. Jochen