Dear Marion, My apologies for inundating you with yet more prose, but I'd like you to have a chance at abstracts of my current fiction which I prepared in response to prodding from my friend Cynthia Behrman. Please feel no obligation to read them, not to speak of commenting on them. At the rate at which I've been writing in the past two or three days, I should get Das einundvierzigste Kapitel on my website by the time we start for Belmont in mid October. If I've sent any of this to you before, please forgive me. Jochen ===================================== About my novel: Progress is slow, but much is happening. The two policemen, Buddy and Billy, who are helping me out, have carted Mengs and Magus to the police-station jail in an improvised contraption: a flat bed truck on which a large cage has been mounted. - On "The Island" anything goes. - During the bumpy ride through the quaint historic cobblestone streets, Mengs and Magus have been shackled, feet to the floor, wrists to the walls, while balancing themselves on hard wooden benches. Now, having arrived in the police station parkinglot, Buddy has opened the cage, Billy has climbed into it to unshackle the prisoners and to direct them to jump out onto the pavement where Buddy is waiting to resume custody. Joachim Magus, young and agile as he is, complies, but Mengs, a generation older, pauses at the latch, looks down at the all too distant pavement, and hesitates. He is afaid, afraid of falling, afraid of breaking a leg. He stands in the opening of the cage, unresponsive to Buddy's commands that he jump immediately, or else. When Mengs, frozen with fear, fails to move, Buddy's temper, which he has always had trouble keeping under control, erupts into a torrent of shouted abuse and vulgarity. Summer visitors to The Island flock to the scene and block the street. It's greater entertainment than they would ever have dreamed of seeing. Finally Buddy, at the end of his tether draws his pistol, and points it at Mengs. Seeing Buddy's uncontrolled anger, it's Billy's, the other policeman's, turn to become frightened. Billy pulls from his pants pocket a small oblong device called a "fob" and presses the PANIC button. (I learned about PANIC buttons only last month. Finally some benefit from buying that fancy new car.) The ensuing pandemonium that my mind conjures up, far outstrips the imagination of the Chrysler engineers who designed the gadget. Not only does the horn of the police truck start blaring, its headlights, tail lights, blue lights, red lights start flashing, but the sirens in the turret of the police station begin to wail, as do those on top of the fire station, the doors of the firestation open automatically and the engines of all police cars and fire trucks start by themselves, and all over town, in the church steeples, the bells which have been wired into the system begin to ring, - I could go on, and maybe I will, but first a sacrilegious disgression for which I preemptively ask forgiveness. I can't resist reciting the account in the Gospel of St. Matthew about the PANIC that ensued upon the death of Jesus. 51 And, behold, the veil of the temple was rent in twain from the top to the bottom; and the earth did quake, and the rocks rent; 52 and the graves were opened; and many bodies of the saints which slept arose, 53 and came out of the graves after his resurrection, and went into the holy city, and appeared unto many. (Matthew 27) or, to make things more clear in 16th century German: 51 VND sihe da / Der Furhang im Tempel zureis in zwey stück / von oben an / bis vnten aus. 52 Vnd die Erde erbebete / Vnd die Felsen zurissen / Vnd die Greber theten sich auff / vnd stunden auff viel Leibe der Heiligen die da schlieffen / 53 vnd giengen aus den grebern / nach seiner Aufferstehung / vnd kamen in die heilige Stad vnd erschienen vielen. (Luther 1545) _ What happens next is that the clerks and secretaries pour out of all the Town offices, certain that Osama bin Laden has struck again, until finally the Chief of Police appears and takes charge. =========================== In the Office of Commissioner Brandes: ====================================== In describing the PANIC, I was also mindful of the introduction to Th. Mann's ultimate novel "Der Erwaehlte" (I don't know how the title has been translated into English.) which opens with a description of the tumultuous tolling of all the bells of all the churches in Rome to celebrate the consecration of the new Pope who was in fact the child of incest. - It's quite a story - . What happened on the Island, after my last summary, was the appearance of the Chief of Police, - maybe I should rename him the Commissioner of Public Safety, - if I can find a suitable equivalent term in German - perhaps "Sicherheitskommissar", or perhaps "Minister fuer Freiheit und Ordnung." In any event, Martin Brandes, - that turns out to be his name -, why or where he got it, I don't know. Martin is a first name ineluctably linked in my mind with the unsavory contamination of spirituality with worldly authority, while Brandes is the surname of the influential 19th century literary critic who "discovered" both Nietzsche and Kierkegaard. In any event Commissioner Brandes explains to Buddy the policeman that Mengs who looks to be of Social Security age, can't possibly be expected to make the 6 foot leap from the cage to the pavement. Brandes orders Buddy to fetch from the garage the ramp that's used at the airport to enable VIP's to disembark from their jets. This takes a while, but in the end, Mengs is escorted to the ground on a set of stairs carpeted in brilliant red. Meanwhile, although the crowd has started to disperse, the blare of the horns, the wails of the sirens and the clanging of the church bells continues, because no one knows how to deactivate a system which it turns out was installed by an unlicensed do-it-yourselfer. This anonymous character finally puts in an appearance and, even though he is unlicensed, is permitted to restore peace and quiet. Now it's Commissioner Brandes' turn to demonstrate that he's worth his salary. He summons the suspects and their captors to his office, which is too small to seat them all. Brandes has the two suspects sit in the armchairs and directs Buddy and Billy to stand at either side as sentries. When asked about their occupations, and Mengs and Magus disclose their roles in the University Department of Literature, Commissioner Brandes becomes almost ecstatic, having encountered for the first time on the Island two persons who share his passion for literature. He relates that at Seashore Community College which he attended, he majored in literature and graduated summa cum laude with a senior thesis on Nancy Drew. Indeed, it was his fascination with detective stories, which he declares is the true literature, that persuaded Commissioner Brandes to make law enforcement his profession. There ensues a comic episode when Magus and Mengs, who have never heard of Nancy Drew, not to mention of her achievements as a detective, try to bull-shit (if my lapse into the vernacular be forgiven) their way out of jail, - and almost succeed in doing so, but not quite, because just as Commissioner Brandes is apologizing to them for the inconvenience, and wishing them pleasant, sunny days for the remainder of their stay on the Island, Buddy reminds him that there is yet a third suspect, Maximilian Katenus, who has been kept locked in a jail cell for the past several hours. Katenus is brought in, and seated in the chair hitherto occupied by Joachim, who, though not in uniform, takes his stand next to Billy, as the third sentry. Katenus, with whose idiosyncracies and antics the authorities are only too familiar, is in no mood to be conciliatory. Without being asked, he expounds to Commissioner Brandes his theory that the essence of government is the exercise of authority; that all government is inherently fascist; that our revulsion againt National Socialism is an expression of the conflict that arises for us from our subconscious recognition of the cruel, mindless and irrational beings who we really are, and the generous, tolerant and charitable neighbors we idealize ourselves to be; that we inveigh against inhumanity because we ourselves are inhuman. Commissioner Brandes should look at him, Maximilian Katenus, as at a mirror in which Brandes will see reflected his own foolishness, his own mendacity and his own cruelty. Brandes is dumbfounded. Mengs very much aware of the perilousness of the situation which Katenus' candor has precipitated, launches into a lecture in which he purports to distinguish between theoretical knowledge and practical knowledge. In theory, says Mengs, Katenus may be correct, but in practice, says Mengs, Katenus is mistaken, because Commissioner Brandes is a learned and intelligent and sensitive individual who is discharging complex and arduous obligations with consummate skill. Katenus turns to Mengs, snarling, with the words: Et tu, Brutus? It's now Joachim's turn to be embarrassed; he is torn between his loyalty to Mengs and his loyalty to Katenus. He feels he must say something, but he doesn't know what to say. Starts therefore to ramble, to contradict himself, in one sentence endorsing Mengs, in the next sentence endorsing Katenus. However, Joachim's words make no difference to either Brandes or Mengs, because neither is listening: only Katenus. When Joachim who has been repeating himself over and over, and, not knowing what else to say, pauses, - Katenus interjects: "Verily I say unto thee, this day shalt thou be with me in paradise." The long silence that ensues is broken by Buddy, who says to his chief: "Sir, if we let these guys go, they'll say we're soft on terrorism." -