Dear Cyndy, Thank you for your letter. There is, of course no urgency to my reply, except that when a response is on my mind, mental efficiency dictates that the thought be reduced to writing when it first appears, because especially at our age, a thought won't stay around, and once it's gone, it never returns. Although I'm too cheap to send the Times 99 cents for the privilege of reading Krugman and Collins, the $15000 price of a perfect smile is not what deterred me from accepting Dr. Millstein's modest proposal. Rather it was the prospect of days spent in the dentist's chair for the extraction of eight roots, four irreparably carious teeth and four relatively healthy ones, where many of the extractions unavoidably entailed rupture of existing quiescent abscesses with high probability of transient dissemination of pus into the blood stream. Does it make sense to take a significant risk in order to obviate one that is trivial? Abscess reactivation might never occur, and if it did, would be far less dangerous than each extraction. Crazy!! Even though I don't have access to the tally, I know for certain that my days are numbered, and I have no intention of tossing any of them away to the dental surgeons. I'm pleased that your right eye is doing well. I'll restrain my propensity to meddle, except to say that Victoria is the better ophthalmologist. Take her advice. When I fetch Margaret from the library in just about an hour, I'll look for the Jan 16 issue of the New Yorker with the article about the inquisition. I read a summary on the Internet, but they wanted money for access to the whole thing, and I said, Skip it. I can't complain that I feel betrayed by Obama for not closing Guantanamo, because I never believed his promise that he would. My ethics and politics have become pure natural science. We are, all of us, without exception, animals as virtuous as foxes, wolves or skunks, as vicious as hamsters, mice or rabbits. What's comical is that we can't survive without constructing an intellectual nest of virtue and honesty, analogous to the conical paperlike contraptions built by the wasps as homesteads, where they lay their eggs and sit out the rainstorms and from which they swarm out to sting you if you come too close and they feel threatened. Like wasps, we have no choice but to cement our social nests with false virtue and false honesty. They are the glue that binds our society. Specifically, the successful lawyer is not the one who is most truthful or just, but is he who is best able to take advantage of the adversary's need for appearing to be honest. For example, Judge Macdonald who will preside over the April 5th hearing, has amply documented his desire to rule in favor of Nantucket regardless of the merits; my case before him would be hopeless, if he did not feel the need to APPEAR fair and unbiased. The task therefore is to create a logical, legal framework where, in order to conceal his bias, he has no alternative but to rule in my favor. Whether or not I will succeed is another matter. We'll see. Long live Macchiavelli! (Just back from the library, which had already lent out the Jan 16 issue of the New Yorker. I'll try again another day.) Chapter 50, about which you asked has grown to a mere 7 1/2 pages, only two of which I've rewritten in English. You can follow my progress or lack thereof at http://home.earthlink.net/~ej1meyer/freunde/e050 The German version http://home.earthlink.net/~ej1meyer/freunde/f050 What is there at present, you're likely to find unsatisfactory. The abscess, the consultation with Dr. Millstein and very mild melancholy have made for slow going. It's perhaps worth emphasizing that not only am I not writing for publication, I'm not even writing for in-house approval. I am experimenting, deliberately and in various dimensions. Admittedly, I'm woefully ignorant of modern American and English literature, but what little I have read, strikes me as describing an impoverished human existence largely devoid of intellect and of art. for example, Eugene O'Neill's Hairy Ape, A Long Day's Journey into the Night, - the short stories of Raymond Carver which I have recently read because my friend Helmut translated them into German. In protest, I deliberately invent characters who are intelligent, sensitive and sophisticated, who presume that meaning is to be found in music, art, and literature. I want to explore how "culture" and especially how ideas become realities that affect our lives and serve as bridges that bind, or barriers that separate us. Rather than fictive chronology or even history, I want sentences, paragraphs and chapters which serve as mirrors that reflect the thoughts, feelings, memories, hopes and regrets of the various characters. The title "Die Freunde" indicates that their relationships are of interest. Much as ones present thoughts are recapitulations of what one had on ones mind days, weeks, or months ago, so ideas and images, scenes and events are recoverable from memory on multiple successive occasions, analogous to the repetition of a theme or a melody in a musical composition. Scenes and events are invoked as "subjective" memories rather than "objective" descriptions.... That's enough advertising, maybe I should now get to work. Good night. Jochen