Dear Marion, Happy New Year! I think of you often, and I very much hope that you are well. Margaret and I are comfortable. We are "managing", although I feel vaguely that, although not yet at the bottom, we are both going down-hill. Time passes very quickly, and it seems with ever greater speed. Nathaniel's performance of Tchaikovsky's 5th Symphony occurred a week ago tomorrow, on December 29. There were, in addition to himself, 48 musicians. The audience, counted by Klemens and Laura, 248 in number, was demonstrably appreciative. In the context of such apparent success, I have no explanation for the failure of New England Conservatory even to grant Nathaniel an audition on his application to their conducting program. Conceivably Nathaniel's parents and grandparents overestimate his talent and his accomplishment. But is is also arguable that the educational establishment is disconcerted by Nathaniel's self-confident audacity and prefers trainees who are more docile and conventional. In any event, Nathaniel seems to subscribe to Nietzsche's dictum: "Was mich nicht umbringt, macht mich stärker." (What does not kill me, makes me stronger.) His orchestra seems to be loyal and enthusiastic, and Nathaniel in turn has been optimistic, exploring the feasibility of more frequent concerts. We have talked about the difficulties and opportunities of performances with vocal soloists. I may be repeating myself when I write that I've suggested to Nathaniel that he contemplate spending two or three years experimenting and exploring what he can accomplish with an orchestra of his own. His "Belmont Festival Orchestra", now two years old, appears to be thriving. Meanwhile aside from attending Nathaniel's rehearsals and his concert, I've spent almost all available time editing my texts. After wrestling with Chapter 40, I found Chapters 41, 42, 43, 44, and 45 a pleasure to review. On the other hand, Chapter 46 is causing difficulties, which I attribute to the circumstance that I tried to introduce into it a literal and prosaic history of my Nantucket adventure. Facts, I discover, paralyze the imagination and stifle the fantasy that is requisite for the expression of subjective "truth". I'm unsure, whether I will be able to solve my problem. I will try. Maybe in my next letter, I will be able to tell you more about my failure. Of course, I very much like to have a letter from you, but I understand that you may feel in no mood to write. You should never feel a need to apologize for your silence. Again: Happy New Year! Jochen