20061013.01 I have been reflecting on your instruction, to the effect that a novel should strive to "show" rather than to "tell." I find that this provocative advice does not well withstand scrutiny. My first rection was to invoke the analogy with Kant's "Anschauung ohne Begriffe ist blind. Begriffe ohne Anschauung sind leer." (Intuition without concepts is blind; concepts without intuition are empty.) The description which presents (shows) an image, must also "tell", i.e. provide, implicitly or otherwise, a meaning. I am reminded also that a story is a tale which is told; in German, history (Geschichte), that which has happened (geschehen) is likewise "told" (erzaehlt) or accounted for. The languages will not permit the distinction between events, happenings, stories and histories, (Geschehnisse und Geschichten) and the accounting, counting, or telling of them. At the extreme there is, of course, the Pythagorean world of the physicists where reality consists of constellations of numbers. But such far-fetched explanations become unnecessary as soon as I accept the fact that I am not writing for publication or for public approval. That my writing is simply an airing of what happens to be going through my mind from day to day. I consider it authentic psychotherapy. All the more remarkable that it should be of interest to anyone other than myself. * * * * *

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